2025 look back, better late than never

I usually update portfolio at the end of a year, as a way to look back on what I have done and celebrate small milestones in my artistic journey. However, 2025 was a tough year for me in every aspect so you are reading what should be posted 3 months ago.

This year I was under heavy influence of AI. The number of commissions has reduced by about 60%, and even though I had a backup plan, I still felt terrible with the whole world. Even though I believe arts cannot die here and there are still people making arts, I can’t help the anger rising in me when a client asked me: “Can you fix this AI-generated image for me?”.

That’s possibly why my favourite pieces of the year are mostly hand drawn. Maybe in the dark moments of being invaded by vague feelings and fears, holding onto physical things comforts me and gives me hopes.

Anyway, life needs to go on and I need to keep painting. I do paint for a living, but I realize I must keep painting for me, or my sanity.

Poetry illustrations

This is the only series/ book project I worked in 2025. Or the only one that left any positive impressions. I got to paint a wide variety of subjects, mostly romantic vibe. The subjects were actually chosen before the project, so my main responsibility was coloring. I have no idea whether this book is published yet, all my clients seem to disappear mysteriously.
These paintings are actually small, they are made to put together with poems. I completed the series bit by bit in 3 months or so, before I started my second job in June.

One thing I have decided this year is to slowly say goodbye with Fiverr account. This was a difficult decision although projects there didn’t interest me as before. Truth to be told, not all projects or commissions I got were my strengths or something I wanted to develop skills on, yet, at the time I believed I could stick together until something better came. My original plan was to build a strong website with other connects to keep the flow of work, but life needed me quicker than I thought. This project was possibly a nice goodbye to my 5-year freelance journey, which was also started with a poetry book.

Painting old houses and nature

So far, you might have noticed that the tone of this post is pretty negative. I just can’t help it – my mental health went straight off the cliff this year. That’s why I didn’t learn anything new, despite having a list of new skills I want to add (animation, composition, anatomy, etc – I even set up an Excel sheet for the courses I wanted to take). This year I spent time just painting spontaneously, scrolling the images from old trips or old days – the good old days. I have a whole post for Huế , from my trip in 2004.

Another topic I love to pain is painting nature, flowers, grasses, etc. Touching grass does help with mentality 🙂

This low period makes me wonder a lot about what is my purpose in this career and how to sustain it in this world, even if AI does not steal my job. I wonder whether other occupations require as much the amount of mentality as being an artist. I wonder whether I’m trading my mental health for a dream job. Don’t get me wrong, painting is my favourite thing to do, and it’s the best way to appreciate life. It’s just that working as an artist requires much more than just making art, particularly working alone.

I feel like I should have known all of these things right from the start. Or I did such a good job of blinding myself because it felt so good making your childhood dream coming true?

Challenges

Another thing to keep me on track this year is doing challenges, 30 days of painting something by a rule. It aligns with my principle of “painting for the sake of painting” for 2026. It gave me a sense of purpose everyday or a kind of ritual when my days felt like falling apart.

Art shop

Anyway, with the support of friends, I made another effort of making a living on my arts by open a shop selling stationary in Vietnam. There’s a lot to learn about running a shop with physical products, and working with others over long distance. Again, I feel this is something I should have known and thought about before opening the shop. But operating this shop allows me to hold my digital arts in a physical form, which I rarely get to do. I hope to keep it running, even without profit, as a passion project.

After all, what’s now?

You may ask how’s everything after 2025. The answer is, well, I still paint and draw as much as I could. But I feel exhausted holding onto a career that means a lot to me and nothing to others (not including friends, of course). Maybe my beginner’s luck has run out, maybe I’m not as strong and hard-working as my expectation, maybe there’s a reason behind all of these struggles. Or maybe not 🙂
Honestly, I don’t know. I wish someone would tell me what to do, but deeply, I know I should solve this mess by myself. After all, I did make some beautiful things, show parts of my mind to the world and have some good times. All parties and all nightmares have an end.

Art Journal Entry: 2024 look back – a struggling year

It’s the time of the year when you look back over the past twelve months to see what you have accomplished. In retrospect, 2024 to me was struggle after struggle, from arts to personal life.

A year of failed and rejected projects

Overall this year I worked more on series rather than individual commissions, especially since the introduction of generative images in the first few months of the year. The new exciting AI interests people with an illusion of getting good artworks for free. However, the flow of personal commissions starts again from October, which is not so surprising to me at all. The basic brick of generative image is data, not creativity or emotion. Personal commissions do not only need likeness, but also personal touches and modifications from both the artist and the ones being portrayed.

Series illustrations does provide a better and more stable income than personal commissions. However, to prove that you are able to complete a large amount of work with consistency in quality, it takes much more efforts. Truthfully, I failed in a few significant chances that stays in my mind longer than I expect.

A rejected piece in a project for a Chinese museum

A year of stagnancy in learning

I also failed in my learning goals this year. It feels like I have arrived at the stagnant part of the learning curve. My self-set up curriculum started falling part in June, I felt stuck in learning Storyboard. After procrastinating for a month, I decided to drop this subject and maybe come back to it again. Other studying goals felt frozen, and I couldn’t see any improvements except from sketchbooks piling over in the corner of my room. I must have passed the exciting beginner phase of learning arts now, no subject seems completely new now. It’s now the phase of repetition and patience.

My whole system of working and studying became too much for me to handle at certain points. I set up a complex Notion dashboard in January, and after a period of complex projects requiring quick turnarounds, the whole system started crumbling. The daily to do list of Notion was unlimited, which gave me a false idea of my capability. Furthermore, I missed using papers, the idea of ticking done to a task and how my pen moved across the papers. I’m still using it as store some lists and resources for blogging, and happy to be back with my handmade A6 notebooks.

I forced myself to learn things I don’t really like, hoping to cultivate a new aspect in my arts. In the first few months, I learned animal anatomy and started reviewing human anatomy in the later part of the year. These new knowledge doesn’t show up right away in my paintings, even the personal pieces. It only came to the surface after a long time brewing, it started with my realization that my artworks lack spirits or liveliness. I’m starting with small animals and human silhouettes.

I started to feel the urge to add more details, every now and then when I looked back some old pieces, I felt I could have added more characters to the scene instead of going the easy way. Of course, this led to less paintings done and a major portion of each need to be done at home instead of at the place. Being a quantity person, I can’t help thinking “I’m doing less this year”.

I overworked this one – I kept changing and adding objects

A year of resilience

A few sentences I often tell myself this year is “hang in a bit more”, “I can tolerate this a bit more” and “be resilient”. These reminders come from a podcast story I hold close to my heart—the story of Abigail May Alcott Nieriker. She was the inspiration for the character Amy in Little Women, but her real-life journey is even more inspiring. Abigail didn’t give up her dream of becoming an artist to marry a wealthy man; instead, she achieved recognition by exhibiting her work (of a black female!) at the prestigious Salon in France. She did marry eventually, but it was for love and much later in her life. (Interestingly, Laurie was entirely fictional and not based on any real person.) Her story is a true testament to perseverance and determination. She is a hard-working artist, passionate painter and devoted educator -I deeply relate to her journey—I sympathize with her struggles, feel inspired by her resilience, and see her as a role model.

Another source of strength and motivation for me is literature. I read many novels by Kazuo Ishiguro this year: An Artist of the Floating World, Klara and the Sun, Never let me go (a re-read), and Annie Ernaux: A girl’s story, Shame, A Woman’s story. The most interesting novel is The Bathroom by Jean-Philippe Toussaint, weirdly writing about almost the same thing I wrote in my journal but in a more beautiful way. Here are a few passages that I love:

70) But when I thought more deeply, and after I hadfound the cause for all our distress, I wanted to discover its reason. I found out there was a valid one, which consists in the natural distress of our weakand mortal condition, and so miserable that nothing can console us, when we think it over (Pascal, Pensees).

49) Seated on the edge of the bathtub, I explained to Edmondsson that perhaps it was not very healthy, at age twenty-seven going on twenty-nine, to live more or less shut up in a bathtub. I ought to take some risk, I said, looking down and stroking the enamel of the bathtub, the risk of compromising the quietude of my abstract life for
… I did not finish my sentence.

50) The next day, I left the bathroom.

Literature consoles me differently from social media or modern psychology. Instead of labelling, it just describes. It tells a story of thoughts, emotions and imaginations. How do I feel this year? I feel like a caterpillar slowly breaking my cocoon to realize that I’m still a caterpillar. At least, I’m still crawling forwards.

Art Journal Entry: End of 2024 Summer

I will be exactly 26 in a few days and I often find myself dwelling on the past, not necessarily my childhood or adolescence, but the years after graduating from university. Though I kept a big journal, I still wonder how I have got over all of these things. I don’t share my journal, because it’s very personal and I mostly wrote about my relationship with people rather with arts. But I think a journal about arts could be shared, hopefully helping anyone reading get over the feeling of being lost in our 20s.

As a freelance illustrator, summer is often the slow season. People go on holiday, there are no big celebrations and this year, with generative images and recession all over the globe, it’s even a slower summer for me.

I tried to take this as an opportunity to improve my skills and were ambitious when I plan for the summer. I was already ambitious when I wrote down my new year resolutions, even though I have never completely achieve them. I want to continue paint landscape and improve my portrait, storyboard, people in drapery and animals skills.

It was smooth with animals and portraits because I started practicing with them already in spring, I just need to finish them as I go. Storyboarding is surprisingly hard because there are not much to remember, it’s more about imagining a camera running around in space and merge them with your perspective skill. It starts growing too hard and I have to decide to delay learning it, trying another source of book and lectures.

Sketching people in drapery is figure sketching but a new level. I practiced figure sketching with nude models or minimal dressed models so when the big challenge is to imagine how their arms and legs move under the fabric. And choosing what folds to tell the story; there will be folds that can be memorized and folds you just add because of a specific pose.

What I didn’t plan to study is learning to use Procreate, because I’m still not sure whether to get an Ipad or a new laptop. But I decided to get an Ipad, because I prefer something lightweight and minimal. I never fully use and understand Photoshop and it’s too heavy, Procreate works much better for me, it’s just drawing.

Some Procreate sketches

Apart from new skills, I still try to paint landscape both outdoors and with images I gather myself. This summer I painted a lot with my Holbein Acrylic Gouache, which has brighter tones compared to my old Nevskaya Palitra gouache.

It sounds like I have learned and done a lot of things, but actually I felt like a crap all the time. When I started freelancing and studying arts on my own, I believed after a few years, things would get easier and even if I’m not a genius, I must have gather skills and projects along the way. I did gather new skills and projects, but the feeling of having nothing and being nobody is still the same. I guess that the curse of being an artist.

Goodbye Summer. At least we weren’t lazy.

Painting Collection Vol.3 (2022-2023)

1. Sketchbook of Hanoi

Growing up in Hanoi, I have an affection to every cornet of this city. Especially those are less known with tourists, because these places feel more authentic to me. When sitting in a cafe painting these scenes, I feel like capturing a moment of this city, a moment that will be gone with unavoidable modern development. 

That’s why I tend to chose old houses or historic structures, so that theirs stories can live on through my paintings. 

Below is my favorite painting of 2023 – this captures idyllically the area I grew up in, a very ordinary area with no tourist attractions. I’ve walked pass these houses hundreds and hundreds time. 

I know that one day I will miss this scene dearly. 

2. Studies of nature

One big drawback of growing and living in a big city is that I rarely get to see a scene just full of nature. All these studies were based on photos. 

I personally love scenes of tree and water, both allows me to play with color and reflection. Painting nature is also more liberating since it seems like I’m having a secondary experience with these scenes, an escape from my bustling city. 

3. Studies of color

I find it still life studies useful but a bit boring, so I often paint scene with lots of similar objects to practice instead. These objects sitting together show contrast in colors and interesting negative space.