Art Journal Entry: End of 2024 Summer

I will be exactly 26 in a few days and I often find myself dwelling on the past, not necessarily my childhood or adolescence, but the years after graduating from university. Though I kept a big journal, I still wonder how I have got over all of these things. I don’t share my journal, because it’s very personal and I mostly wrote about my relationship with people rather with arts. But I think a journal about arts could be shared, hopefully helping anyone reading get over the feeling of being lost in our 20s.

As a freelance illustrator, summer is often the slow season. People go on holiday, there are no big celebrations and this year, with generative images and recession all over the globe, it’s even a slower summer for me.

I tried to take this as an opportunity to improve my skills and were ambitious when I plan for the summer. I was already ambitious when I wrote down my new year resolutions, even though I have never completely achieve them. I want to continue paint landscape and improve my portrait, storyboard, people in drapery and animals skills.

It was smooth with animals and portraits because I started practicing with them already in spring, I just need to finish them as I go. Storyboarding is surprisingly hard because there are not much to remember, it’s more about imagining a camera running around in space and merge them with your perspective skill. It starts growing too hard and I have to decide to delay learning it, trying another source of book and lectures.

Sketching people in drapery is figure sketching but a new level. I practiced figure sketching with nude models or minimal dressed models so when the big challenge is to imagine how their arms and legs move under the fabric. And choosing what folds to tell the story; there will be folds that can be memorized and folds you just add because of a specific pose.

What I didn’t plan to study is learning to use Procreate, because I’m still not sure whether to get an Ipad or a new laptop. But I decided to get an Ipad, because I prefer something lightweight and minimal. I never fully use and understand Photoshop and it’s too heavy, Procreate works much better for me, it’s just drawing.

Some Procreate sketches

Apart from new skills, I still try to paint landscape both outdoors and with images I gather myself. This summer I painted a lot with my Holbein Acrylic Gouache, which has brighter tones compared to my old Nevskaya Palitra gouache.

It sounds like I have learned and done a lot of things, but actually I felt like a crap all the time. When I started freelancing and studying arts on my own, I believed after a few years, things would get easier and even if I’m not a genius, I must have gather skills and projects along the way. I did gather new skills and projects, but the feeling of having nothing and being nobody is still the same. I guess that the curse of being an artist.

Goodbye Summer. At least we weren’t lazy.

Workplace and tools

I’m a mixed media artist, I just have lots of tools, maybe not as much as a professional-trained artist, but enough to keep me messy.

Brushes

flat brushed introduced by James Gurney. I noticed for round brushes, the more expensive the brush, the better it feels. However, it’s not the same with flat short brushes; price difference doesn’t mean much.

Flat brushes are easier to control and lasts a bit longer than round brushes to me. The tips of round brushes often wear off after a few months, as early as 3 months, the bristles start getting spread out. Short flat brushes preserve their original tip for a longer time and the bristles stay together even with minimal care.

Watercolor

Japanese and Russian brands are the most affordable ones. Hayao Miyaki used Holbein – a pretty commonplace brand. His method is direct, simple and adventurous. Personally, I’m influenced by Nathan Fowkes and James Gurney method: mixing a bit of gouache with watercolor to fix the details that didn’t go as I want. Adding white gouache instead of diluting the color with water will create a smoother painterly effect, and white gouache saves me when I forgot or mixed up my plan with the highlights. I get a separate pack of white gouache from Himi, a brand famous for their jelly paints.

Gouache

I have used only one brand of gouache only, from Russia. It’s challenging at first because it doesn’t have color codes, which often shown on America, English and other western brands. Being an artist doesn’t mean I can spot color with my eyes, color codes are there to standardize among different brands.

Paper and Sketchbooks

I often purchase watercolor paper in a large pack and cut it into the sizes depending on my use. I often paint small, (size) from (size). I will use cold press paper for more texture, and hot press when I need a smooth surface.

I like to have sketchbooks of different sizes, especially small to medium-sized to carry them around and sketch when I’m free.

I like to make my own sketchbooks so as to avoid the fear of ruining a fancy sketchbook. I only have one “fancy” sketchbook, and the progress of completing it is much slower than others. It’s the one used for social media promotion.

Digital tools

A medium-sized Wacom and a laptop. Most of my digital brushes are made from Kyle Webster – I’m a big fan of textured brushes, namely ink and watercolor brushes.

I don’t think there’s a must to acquire expensive laptop or tablets to start painting digitally since I don’t know what direction to head. Gaming or animation certainly needs high-quality tools, but illustration works can be done with a normal laptop. I believe in starting small and growing big later.

As you can see, I use a diverse range of tools to create arts, which is also a joyful aspect of being an artist. I hope to be able to experience more materials, tools and topics – if you are interested in these things, subscribe to my blog or connect with me on social media!